![]() They had been touring Europe and were kicking ass.” “They had this heavy chorus thing going on with individual melodies playing throughout the groove. “I’d never worked with a band that had so many guitarists playing together,” says the Grammy-winning Bottrill of Super Matimila, whose musicians doubled the guitar lines with conga parts. The Canadian producer Dave Bottrill (Peter Gabriel, Smashing Pumpkins) was assigned to engineer, mix and - with the group’s tour manager Basil Anderson - co-produce the recording in the Big Room. ![]() Peter Walsh (Scott Walker, Pulp).Ĭongolese-born singer, bandleader and social warrior Remmy Ongala was already hugely famous in his adopted East African home of Tanzania when he arrived at the Studios in 1989, match-fit from a WOMAD tour and eager to make his first album in a western environment. “This made it harder for the engineer but it meant you got a great feeling and better performances.”Įssential to the quality of each recording, to facilitating peak performances, were the world-class and increasingly world-renowned producers in situ at the Studios, and/or convening for the celebrated Real World Recording Week: Tchad Blake (Tom Waits, U2). “The musicians were integral to the production team,” says Gabriel, who co-founded the WOMAD festival in 1982. Senegalese A-lister Omar Pene & Super Diamano delivered Direct From Dakar in the cathedral-like Big Room, with its vast windows, wrap-around console desk and tranquil water view.Įach artist was made to feel part of the recording process: physically, psychologically and professionally. Nigeria’s King Wasiu Ayinde Marshal I magicked the fizzing, beats-driven Talazo Fuji Music Party! in a recording session done on-the-fly, and against the clock. The legendary Master Musicians of Jajouka journeyed from their village in Morocco’s southern Rif mountain range to record Jajouka Between the Mountains, the album they would later deem their personal best.
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